RE: Setting the Stage

To begin, I would like to make a small number of statements. First, regrettably, the amazing Marcel LaFlamme will not be liveblogging the experience this time around. To that point, I now introduce myself. I am your humble yet hideously inadequate successor to the throne of festivity narration, Nicholas Munson. You may notice, should you be a returning reader, that my style of writing differs greatly from that of Mr. LaFlamme. This is an accurate perception.

What are the 24-Hour Plays? For that, I blatantly copy-paste the explanatory post from 2008.

Note that information regarding the previous years event may or may not be wholly inaccurate on this occasion.

What are the 24-Hour Plays?

The 24-Hour Plays are an ongoing project that invites writers, directors, and actors to bring entirely new plays into the world in the space of a single, madcap day. First staged in New York City in 1995, the 24-Hour Plays operate on the idea that art doesn't always need to be polished, that exciting things can happen on the page and on the stage when time is short and the clock is ticking. In a way, it's like a poet who chooses to write her poems in meter. Sometimes, the constraints that we choose are what allows us to do our most interesting work.

Here's the timeline: everyone involved in the Plays gathers at 8pm, with a costume piece and a prop in hand. The playwrights choose the actors that they want to cast in their plays, and then work through the night to write six short plays. At 7am, the directors show up, and the playwrights resent them for getting a good night's sleep. The directors then read through the plays, choose the one that they want to stage, and then launch into a full day of rehearsal with their cast. Lines get learned (usually), stars are born, and at 8pm the curtain goes up on the world premiere of six brand-new plays. It's a beautiful thing.

What does it mean to "liveblog" the Plays?

One thing that makes the 24-Hour Plays so unique is the process of bringing the plays into being—a process that audience members don't get to see if all that they do is show up for the performance. So, this year, the William Inge Center for the Arts has invited ICC librarian Marcel LaFlamme to hang out behind the scenes and document the 24-Hour Plays by posting to a blog. Rather than waiting until next week to read a write-up about how the plays were produced, audience members can actually check the blog throughout the night and into the day of the performance to get the raw, unfiltered account of the process as it unfolds. It's instant gratification for a digital generation.

Who is participating in the Plays?

The 2008 High School 24-Hour Plays are being sponsored by the William Inge Center for the Arts, in cooperation with The 24-Hour Plays. Students participating in the Plays are coming from as far afield as Topeka, Wichita, and Joplin, Missouri, as well as local high schools including Independence, Neodesha, Sedan, and Labette County. Technical assistance will be provided by students in the theater program at Independence Community College.